January and my month of free learning

January seems to be the month for virtual and online professional development in the education world. Maybe it’s the beginning of a new year and everyone is hopeful and in need of new ideas to see it through, but I’ve been swamped with plenty of free opportunities (I ain’t complainin’.). I’ve signed up for two asynchronous workshops through EVO (Electronic Village Online) on digital storytelling and podcasting for ELL students. The workshops last for five weeks each and I’ll emerge on the other side with lots of new ideas for how to enhance learning for my future ELL students. If (ahem, when) I end up working at an international or bilingual school these skills will be crucial. While in America my work with ELL students was limited, in a foreign country it becomes the rule. I need more teaching strategies in my quiver and I jumped at this free bit of PD. I love conferences just as much as the next person, but when I’m far away on another continent with mere pennies in my bank account, I thank my lucky stars for the generosity of others online.

While those workshops are going on I also participated in the English Companion Ning winter webstitute “Work With Me,” which focused on collaboration. I’ve also registered to virtually attend EduCon 2.3 later this month, but for the moment I’d like to reflect on my experience with the ECN Webstitute. Photo by Mark Brannan.

I’ve been a member of the English Companion Ning since it’s inception. I was quite active in the beginning and relied on the encouragement and help of the educators there greatly during my student teaching. When I got my first teaching job I was swamped and struggling to stay afloat and I disappeared for a while. I’ve been slowly getting back in, reading posts, and thinking about how to help the teachers that meet there with ideas or just a pat on the back. I knew that the people I worked with in those spaces would welcome me back no matter how long it had been since I dropped off the grid. Such was the case last weekend when I dove into the Websitute.

The first session was with Penny Kittle. I’ve just started reading her book Write Beside Them, so I was stoked about this one. She shared a video of her students collaborating on a project focused on analyzing the craft of the author. Quite a few students who read The Hunger Games were working together and since I’ve read this book I can understand the excitement of the teens that came across in the video. But more important than the enthusiasm was the authentic analysis and discussion of the book bubbling forth at the table. A later interview with one of those students seemed like perfect justification of the hands-off, fellow learner/facilitator role I like to take in my classrooms and which I describe in my philosophy. The student, Amelia, said she was thankful Penny didn’t give her the answers – that she and her classmates were able to uncover meaning on their own, allowing them to delve deeper into those ideas and come to their own conclusions. She went on to say how difficult writing a paper about a book, or about anything, was if the ideas weren’t her own. (Yes!) The discussion that ensued in the forum included materials and pages from Penny’s writer’s notebook, questions about practical things like assessment and class time, and the general idea sharing I’ve come to love from the EC Ning.

The next session was about collaboration with colleagues and again the organizers posted a helpful video of one of their sessions, which didn’t focus on failures of students or behavior issues – the general bitching that can occur in meetings like this. Instead these educators were talking about what worked and the things they were stuck on – they were trying to figure out how to bridge gaps in their lessons and help students make deeper connections. They talked about what worked, what didn’t, and what they were going to try next. They trusted each other and felt safe tossing out any and every idea all with the goal of helping their students. I stuck around for a bit of the forum discussion, but around that time my coffee ran out and I had to go to bed. It’s an unfortunate side effect of living in a different time zone and trying to participate in U.S.-based PD. Next time I’ll take a midday nap.

Both Penny’s session and the collaboration group reminded me how important it is to document great things happening in your classroom and with colleagues. Sharing is crucial to the success of learning networks and professional spaces like the EC Ning. Lots of great things go on in classrooms and school buildings around the world, despite what talking heads and pundits say to fill 24-hour news cycles, so documenting it goes a long way to showing the greatness of teachers and helping others become great.

I was disappointed I couldn’t make the live Elluminate sessions later in the Webstitute, but I learned a great deal from the discussions I had on the EC Ning and simultaneously on Twitter. If I had a recommendation for the next webstitute it might be to hold the forum discussions asynchronously across a few days or a week. There was a mad dash to post and participate and respond (all great things!), but one could only keep up with constant browser refreshing. If the organizers wanted a live chat maybe a private chat room would have worked, but then we would lose the ability to upload and share documents in the context of the discussion (a great feature of Ning forums). Not sure what the answer will be, but my international time zone self would love a more aysnchronous workshop. Live events like Elluminate talks can never be asynchronous (though archives are available), but the forum discussions can be. The EC Ning has done this to great effect with its virtual bookclubs.

Over the course of the Webstitute I also joined the EngDo collaborative – a wikispace of document and resource sharing for educators. I’m still trying to piece together how this space will be different from the EC Ning, but my hope is it’s a more organized place for resources and collaborative documents while the EC Ning is mostly a forum where people post resources sometimes.

Lots to do and think about after just one weekend of real-time professional development. I’m off to work on assignments for my digital storytelling and podcasting workshops. I’m thankful to have such a great network of teachers on Twitter. I would have never heard about EVO if Larry Ferlazzo hadn’t posted about it one day.

My first taste of YA lit

I’ve never been one to get into arguments over whether we should be teaching the classics exclusively in schools or if we should let some young adult fiction jump into the curriculum mix. It always seemed like a no-brainer and a waste of our time to argue the point, because to me if a student is reading she’s already in the game. I’m focused on getting kids to pick up a book in the first place. Once that happens, then I’ll tackle getting them to delve into Shakespeare or Gabriel Garcia Marquez.

But, even though I’ve said these things and learned a great deal about the use of YA lit successfully in classrooms (my methods teacher during my licensure program was a big proponent of using YA lit), I’ve never really read any of it on my own. I’m not sure what was keeping me from cracking open one of these quick and often fulfilling reads, but I never had before this week. I taught a bit of Lawrence Yep to some sixth graders while working as a long-term substitute – we were reading Dragonwings – and Monster by Walter Dean Myers for my methods class, but that’s about it. My knowledge of YA lit was limited to big names like Laurie Halse Anderson and of course Harry Potter and Twilight. Then there was the mountain of YA titles. If I decided to read something, where would I even start?

A group of teachers I follow on Twitter instituted a #bookaday hashtag on Twitter where they would tackle reading, as you guessed, a book a day during their holiday breaks. I’m a slow reader and didn’t want to dedicate myself to a book a day since I would be planted on the couch for half of each day. Sure, I already do that sometimes since I’m not working (yet), but I try to avoid it.

One title I haven’t been able to avoid through tweets and blog posts is The Hunger Games series by Suzanne Collins. I decided to read the first in the three-part series late last week and breezed through it. I felt that sense of wonder and suspense and connection to the characters, something I rarely experience in reading. The last time I felt this compelled by a book was my first time reading A Confederacy of Dunces. Something about Ignatius J. Reilly still tugs at my heart and leaves me thinking and I read the book nearly ten years ago. Sure, there are books I get into and can’t put down, but a true connection to a characters is something very rare for me in reading. I felt this with Katniss Everdeen, the protagonist of The Hunger Games. I’ve only read the first book and am making myself read a “grown up” book in between this and the next part in the series. (I just started White Teeth by Zadie Smith, which given its nearly 500 pages of luscious wordsmithery means it will probably be a little while before I allow myself to tackle the second Hunger Games book Catching Fire.)

I don’t know why I feel this way, but even though Collins’ book is full of serious and teachable themes, such as the influence of reality television on our lives, poverty, and class struggles to name a few, I felt a little tinge of guilt in reading the book. I enjoyed it so much and it falls under that addictive category of young adult fantasy lit that I suppose I felt guilty about not challenging myself with a tougher read. But why do I feel this way? I can’t help but think this comes from years of education where the classics were elevated to royal status and only those that read them could feel proud and “well-read.” Beach reads, chick lit, fantasy, sci-fi, those were never considered “literature.” Now, don’t get me wrong. I definitely see a difference between The Devil Wears Prada and Ulysses – not everything is literature. But I hate the shame that has been tacked onto understanding the difference. If I feel this way, even after leaving high school nearly 10 years ago, how do our students feel?

There was a lively debate on The English Companion Ning recently about “kids reading junk,” and the junk being things like Harry Potter and Twilight. Sure, Harry Potter may not be comparable to 100 Years of Solitude, but shame on the person that sees thousands of children picking up and reading 400+ page books as a bad thing. Reading begets reading and results in learning. We all have our different avenues we ventured down that brought us to avid reading and very rarely were we pre-teens flipping through Dante’s Inferno. I got into serious reading (meaning I did it every day) when I started picking up R.L. Stine books. They were quick, thrilling reads and my 11-year-old self felt quite accomplished as I counted the number of “whole books” I’d read. From there, as I got older, I wanted to pick up “the classics” and read them. I purchased an old copy of The Complete Works of Shakespeare and read “As You Like It.” I didn’t really understand all of it, but I was 15 and trying my best. Then I went on to Catcher in the Rye, considered one of the first YA books. I was mesmerized that this could be considered a classic – something with the same compelling characters I’d learned to love in all of that other “junk” I’d read as a kid. Holden Caulfield wasn’t battling an old ghost sent to kill the cheerleading theme, as was the case with many R.L. Stine books, but he was battling real things that I felt, like worrying about my younger sibling as I grew into role-model status and dealing with adolescent angst. I was hooked into how reading could allow me to escape and relate with characters while working through my own issues and it only grew from there.

I’m intrigued by the idea of teaching The Hunger Games. Eric T. MacKnight, an international teacher I follow on Twitter (@ericmacknight), has his students *read books independently and blog their reactions and analyses. One student’s response to The Hunger Games generated an interesting comments discussion. Check out the  student’s blog response to the book and the ensuing discussion in the comments to see what I mean. There are so many avenues one could take, using the books as a jump-off point for projects and discussions. Communist regimes, poverty, class struggles, the increasingly public nature of our private lives, reality TV, even feminism. Katniss Everdeen is, by societal standards, quite a “tomboy.” How does her portrayal differ from female protagonists in other novels? What makes her strong? I appreciated that Collins wrote Katniss in this way because even though I am happy to see kids reading, even if it is Twilight, I can’t help but have a distaste for the boy-crazy damsel in distress portrayed by Bella in Stephanie Myers’s series.

I’m quite the novice when it comes to YA lit, but it doesn’t take a genius to see how these titles can be used as gateways to life-long reading and learning in the classroom and beyond. Thanks to my network on Twitter, I have a great resource of people well-read in YA lit I can turn to for recommendations, but a wonderful resource is the blog YA Lit – The Good, The Bad, The Ugly written by Sara Fuller (@yagoodbadugly). I’ve also been checking out the Goodreads shelves of Donalyn Miller (@donalynbooks), author of The Book Whisperer: Awakening the Inner Reader in Every Child, which is still high on my to-read list.

If you’re a YA noob like myself, I encourage you to give it a spin and consider how you might work such a title into your curriculum. It’s not much of a stretch. I did a lesson in my methods class tying an Edgar Allen Poe short story to Monster through the concept of unreliable narrators and their effects on readers. It’s easy and you might just snag some of those reluctant readers.

* My apologies to Eric! I thought he taught the book in class, but it turns out one student just read it as an independent reading assignment and blogged her reactions.